Come Find Me

Photographs and Text by Hedda Ofverholm Thorén

BA (Hons) Interaction Design Arts (Year 1)

As my starting point, this work became all about exploration for me. At the time, I was spending a lot of time at my family’s summer place in the Swedish archipelago. It’s a nature reserve, allowing the nature to stand untouched; the trees grow tall and the moss covers the ground. It is a special feeling to be there and since the Corona pandemic broke out it has become an even more important place for me, where I can escape the craziness back in my hometown Stockholm.

I spent a lot of time out exploring and studying the nature in more detail, looking for scenes and places I had never seen before. It made me encounter new feelings that I haven’t experienced earlier. It felt magical, but at the same time also terrifying and sad because at some point I realized that there is a possibility that what I have photographed will not always remain. In a few years, everything could be gone.

As a result, my photographic sequence ‘Come Find Me’ is a series exploring new notions of naturally occurring frames, but also a sequence exploring and documenting the uncertain future of our nature.    

‘Untitled’ Work in Progress

Moving Photographs and Text by Juliette Stuart

BA (Hons) Illustration and Visual Media – Year 3

https://juliettestuart.com/

@juliette.stuart

Being stuck in quarantine, many of us are now focusing on food and eating more than ever – be it in planning elaborate meals now that we have time to cook, or constant snacking out of sheer boredom. Inspired by Dutch still life paintings, particularly the ‘ontbijt’ (breakfast) paintings, I wanted to create a modern, colourful, quarantine edition of ‘still lifes’ of the food that I’ve been eating a lot of, with a surreal twist. I inverted some of the vanitas imagery and made a series that looks a lot brighter and happier, but I wanted to add in the multiple hands with their constant fidgeting to maintain some level of unease in the otherwise very neatly structured scenes. I only have myself to film, so using a borrowed camera from my flatmate I had to film my hand coming in from multiple angles and stitch the footage together to create the scenes with more than one hand in. A lot of the backgrounds are made of my coats, a large shirt, and an IKEA blanket because I could only use what I had lying around. The cardboard cut outs are made from some old mount board I had lying around, and all the glasses and plates were charity shop purchases I made for a pervious project that I shot before lockdown. I’m happy with the result – using just what I had available to me I think I was able to create something that looks professional and surreal that I am proud of.

reference … dutch still life paintings ontbijt